Sample chart of various sensor sizes.

Understanding Sensor Crop Factors

You’ve likely heard the term “crop sensor” before and if you’re new to the world of digital photography, then you may only have a rudimentary understanding of what that means.

Different sensor sizes, compared

Different sensor sizes, compared.

What is a Crop Sensor Camera?

To understand what a crop sensor camera is, you first have to understand what a full frame sensor camera is. And that takes us back to the days of film photography.

A piece of 35mm film measures approximately 36 x 24mm in size and that’s the size of the sensor in full frame cameras like the Nikon D4 and the Canon 5D Mark III. Cameras with these sensors typically occupy the higher end of Canon, Nikon, and Sony’s offerings, and are also among the most expensive DSLRs you can buy from them.

All three manufacturers also make cameras with smaller chips. Nikon and Sony have cameras like the Nikon D7000 and the Sony A77 that have APS-C-sized sensors measuring 23.6 x 15.7mm. Canon’s APS-C sensor is a bit smaller, measuring 22.2 x 14.8mm. Canon also has an APS-H sensor that sits between the two, and measures 28.7 x 19mm in size. These are all considered crop sensor cameras.

What Sensor Size Means for You

When you rent or buy a lens, the type of lens it is is described in two ways: focal length and max aperture. For example, you can get 50mm f/1.4 lenses from all three camera manufacturers I mentioned earlier, as well as from third-party lens makers.

The key sensor sizes seen in today's cameras

The key sensor sizes seen in today’s cameras.

The max aperture – in this case it would be f/1.4 – stays the same regardless of camera. The focal length, however, is more subjective.

On a full frame camera like the 5D Mark III, a 50mm lens is a 50mm lens. That’s because the focal length of the lens is measured based on the standard 35mm film size. However, on a crop sensor camera, like the Nikon D7000, your 50mm lens effectively becomes a 75mm lens. Since the sensor is smaller, it’s only seeing a slice of image the lens is projecting onto it, and that makes it mimic a lens with a “longer” focal length. In effect, the smaller sensor is “cropping” the image being transmitted to it by the lens – hence the term crop sensor.

On the Canon side of things, since the APS-C sensor is smaller than the Nikon’s, that 50mm lens becomes more like an 80mm lens.

How to Find the Crop Factor of Your Lens

Here’s where the term “crop factor” comes in. Since the size of the sensor is known, we can easily calculate the effective focal length of a lens. For Canons, multiply whatever you see in the lens description by 1.6 when you’re using a camera like the 7D or the T2i. For Nikons and Sonys, multiply the same thing by 1.5.

But wait! There’s more!

Canon decided to add another sensor size into the mix with the APS-H sensor size, which I mentioned above. There are only two cameras you’ll probably come across that have this sensor, the Canon 1D Mark III and the Canon 1D Mark IV. To figure out the effective focal length of a lens on these cameras, multiply what’s in the lens description by 1.3.

What Crop Factor Means in Practical Terms

Visual aid time. There are three images in each of the graphics below. All were shot with a Canon 70-200mm lens. The first graphic shows that lens zoomed all the way out at 70mm, but on three different cameras. Clockwise from the top-left, they are the Canon 5D Mark II (full frame sensor), the Canon 1D Mark IV (APS-H sensor), and the Canon 7D (APS-C sensor).

Three different cameras, with three different sensors, at 70mm

Three different cameras, with three different sensors, at 70mm.

As you can see, the smaller the sensor, the closer you appear to get to your subject with the same exact lens.

Here’s the same thing, this time with the lens zoomed in at 200mm.

Three different cameras, with three different sensors, at 200mm

Three different cameras, with three different sensors, at 200mm.

Once again, we see the same effect. Here, however, it’s a bit more pronounced, and that’s important.

Going from a 5D Mark II to a 7D means that your long lenses, like the 400m f/5.6, for example, will be longer (it’ll be a 640mm f/5.6). That’s great news for people who want to do, say, bird photography, but don’t want to lug around a huge lens.

But for landscape photographers, it means that the 14mm f/2.8L lens you rented is actually a 22.4mm lens. Still pretty wide, but maybe not as wide as you’d like.

Fortunately, to counter this issue, lenses made specifically for crop sensor cameras are available from a number of different sources. Tokina, for example, makes an 11-16mm f/2.8 lens that is one of my favorite lenses for crop sensor cameras.

Cormorant silhouette at Coyote Hills. The edges are a bit soft, but the image works.

Cormorant silhouette at Coyote Hills. The edges are a bit soft, but the image works. Canon 7D, Sigma 50-500mm.

Because the distance between the back of the lens and the mirror is different for crop sensor cameras than it is for full frame cameras, these lenses can’t be used with full frame cameras. Happily, crop sensor camera users have access to lenses made for full frame sensors. So sometimes, depending on what you’re doing, it might make more sense to use a Nikon D7000 rather than a more-expensive Nikon D3.

One of my favorite things to do is shoot birds, so I often take a 1D Mark IV and a 600mm f/4 lens out for a day of shooting. That’s a big lens, however, and I don’t want to carry that on a hike, so I’ll sometimes take a smaller body and lens, like a Canon 7D and a 400mm f/5.6 or a Sigma 50-500mm lens. The results are often surprisingly decent, as you can see from the image here.

I hope this gives you a better understanding of what a crop sensor camera will mean for your lens selection versus a full frame camera.

Sohail Mamdani is a writer, filmmaker, and photographer based in the San Francisco Bay Area.


  • Cheri Roohi

    Thank you so much, I just bought a 50mm for my D7000 and found shooting anything for my blog indoors was nearly impossible. I’d have to stand on a chair 5ft away to get a shot of nearly anything: someone sitting, a cake, a desk, etc. Thanks for the info!

  • Sebas

    Thankd, men ! A great Job

  • Wedding Snapper

    Explained really clearly – I’ll be sharing this with some friends.

  • Gary

    Thank you. Good visual with the projector screen.

  • Sohail Mamdani

    Hi Gary,

    Yep, that’s about it. Think of the lens as a projector and the sensor as the projection screen. If you have a full-frame sensor, you “see” more of the image.

    Now cut out part of each edge of the screen. The borders of the original projected image are no longer visible, so you see less of it overall.

    Incidentally, that’s also why a lens that has bad vignetting or poor corner sharpness may be a bad choice for a Full-Frame camera, but might work perfectly well on a Crop-Sensor camera.


  • Sarah J

    One of the best explanations I’ve read! Thanks!

  • Gary

    So your saying a crop sensor is not magnifying the image it is just showing the center of the image of a full frame sensor??

  • Sohail Mamdani

    Thanks Nik!

  • Nik

    Great article guys. I’ve seen a lot of sites try to explain this but you simplified is perfectly. Cheers!

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